Past Exhibition
NANDITA MUKAND
(b. 1975, India)
Nandita Mukand is a Singapore-based artist whose practice encompasses sculpture, installation and
painting. It explores the boundaries between the artificial and the natural. Mukand fashions materials
from the urban realm into organic forms reminiscent of the natural world. This juxtaposition of material
and form questions the perpetually growing encroachment of humans onto the natural world. The
investigation is concerned not only with the impact on the environment but also with how the human
psyche is implicated in this pursuit. Drawing upon her interest in ontology, neuroplasticity, quantum
physics and buddhist texts, it often explores observations of growth and decay in the wilderness in
conjunction with the workings of the urban mind. In other installations Mukand works with natural
materials like dead plants, dried flowers and seeds. The interwoven aspects of contemporary life,
vulnerability and chaos, resilience and graceful adaptation in the face of adversity, entropy and how
we experience the passage of time -these are some of the themes that form the backdrop of her
artistic practice.
Mukand¡¯s work was included in the OpenART Biennale 2017, Sweden and Imaginarium: To the Ends
of the Earth, Singapore Art Museum. Other notable exhibitions include solo shows : Mind(less)
Wilderness (2019), Forest Weft, City Warp (2017-2018),The Materiality of Time (2015) and group
shows : From Lost Roots to Urban Meadows, The Private Museum, Singapore (2019), Exploring
BigCI, Hawkesbury Regional Gallery, Australia (2015), Untapped,Chan Hampe Gallery, Singapore
(2016), Fundacio L'Olivar Summer Exhibition,Spain (2016). She has been awarded artist residencies
by the Fundacio L¡¯Olivar in Spain, the Hawkesbury Regional Gallery, Australia and the Bilpin
International Ground for Creative Initiatives, Australia, all of which have enabled her to deepen her
research into the natural world.
Having quit a successful corporate career with Proctor and Gamble to devote herself full-time to art
making, Nandita graduated with a Bachelor of Fine Arts (First Class) from Goldsmiths, College of
London via LASALLE College of the Arts, Singapore. She received the LASALLE Award for
Excellence for outstanding student of the year. Mukand is also an alumna of the Indian Institute of
Management, Calcutta and has a degree in Electronics Engineering.
EDUCATION | |
2014 | Goldsmiths, University of London by LASALLE College of the Arts, Singapore BA (Hons) Fine Arts (First Class Honours) |
2000 | Indian Institute of Management Calcutta, Kolkata, India |
1998 | Post Graduate Diploma in Management Institute of Engineering and Technology, Lucknow, India |
B.Tech (Electronics) | |
AWARDS, SCHOLARSHIPS AND RESIDENCIES | |
2019 | NPE Artist Residency, Singapore. |
2016 | National Arts Council, Capability Development Grant, Singapore |
2016 | Fundacio L'Olivar, Catalonia, Spain |
2015 | Hawkesbury Regional Gallery Residency, NSW, Australia |
2015 | Instinc collaboration with Austrian Artist-in Residence, Singapore |
2014 | Bilpin International Ground for Creative Initiatives (BigCI) Residency, NSW, Australia |
2014 | LASALLE Award for Academic Excellence (BA), for most outstanding BA student in the Fine Arts |
2014 | LASALLE College of the Arts Merit Scholarship |
2013 | LASALLE College of the Arts Merit Scholarship |
SOLO EXHIBITIONS | |
2020 | Vessels of Change, The Columns Gallery, Singapore |
2019 | Mind(less) Wilderness, Miaja Gallery (in collaboration with Ikkan Art Gallery), Singapore |
2018 | Forest Weft, City Warp, One East Asia, Singapore |
2015 | The Material of Time, Flaneur Gallery, Singapore. Curated by Kumari Nahappan |
GROUP EXHIBITIONS | |
2020 | Chun Kai Qun, Francis Ng, Luke Heng, Nandita Mukand, The Columns Gallery, Singapore |
2019 | Rules of Engagement, The substation, Singapore |
2019 | Rejects, The substation, Singapore |
2019 | Ethno-city, a two person show at NPE gallery, Singapore |
2019 | From Lost Roots to Urban Meadows, a two person show at the Private Museum, Singapore |
2017 | From the Ocean to the Silver City, Austrailian High Commission, Singapore. |
Curated by Merryn Trevethan | |
2017 | OpenArt 2017, Orebro Biennale, Orebro, Sweden. |
Curated by Kerstin Wagner, Lars Jonsson, Giovanna Elvira Aquirre | |
2017 | Imaginarium: To the Ends of the Earth, 8Q Singapore Art Museum, Singapore. |
Curated by John Tung and Andrea Fam | |
2017 | Multi, One East Asia, Singapore |
2016 | Fundacio L'Olivar, Catalonia, Spain. Curated by Pilar Parcerisas |
2016 | Untapped, Chan Hampe Gallery, Singapore. |
Curated by Visual Arts Development Association, Singapore | |
2016 | Repurposing Nostalgia, Singapore |
2015 | The Essential Rhythm 2, Two person show at Instinc, Singapore |
2015 | Exploring BigCi, Hawkesbury Regional Gallery, Windsor, NSW, Austrailia. |
Curated by Diana Robson | |
2015 | Art Discovered, Art Fellas, Singapore |
2014 | The Ground, Bilpin international Ground for Creative Initialtives(BigCI), NSW, Australia |
2012 | Beyong Limits-Praxis space, LASALLE College of the Arts, Singapore |
PUBLISHED RESEARCH | |
2015 | The Time of Cities and the Time of Nature: |
Regarding art dealing with the disconnection between urban life and natural wood | |
2015 | Contemporary Art and Perceived Self-Sufficiency of Urban Life |
2015 | The Transcendental Sublime in Contemporary Art |
2015 | The Evolution Of Contemporary Painting in the Face of Claims of "The Death of Painting" |